Chris Thomson
Alarm Will Sound’s “a/rhythmia” released 15Sep09

9/15: Nonesuch releases Alarm Will Sound’s “a/rhythmia,” a collection of works “taking ideas akin to minimalism and refracting them through a fun house mirror.”

Recording Ben Mason wAWSI’m so excited about September because it would seem this is the month in which all the recordings I’ve worked on the past 2 years are magically available! First and foremost, Alarm Will Sound’s “a/rhythmia.” There is much info available on the Nonesuch page for this release, and it is of course available on iTunes. So all I really have to offer is a picture of me playing agogo bells with a screwdriver!

(From the nonesuch press release): Nonesuch will release a/rhythmia, the new album from Alarm Will Sound, the 20-member group described by the New York Times as “one of the most vital and original ensembles on the American music scene,” on September 15; it is available to pre-order now in the Nonesuch Store.

alarm-will-sound-arhythmia

Though known for its focus on contemporary music, on a/rhythmia Alarm Will Sound performs 14 pieces from composers spanning six centuries, united by a common purpose. Each was inspired by and/or was attempting to explore the concept of “arrhythmia”: “want of rhythm or regularity, specifically of the pulse.” The resulting work, on the ensemble’s fifth album and its first complete album on Nonesuch, upends order and expectation, often taking ideas akin to minimalism and refracting them through a fun-house mirror.

Central to the disc is the player piano work by Conlon Nancarrow, who has intrigued composers like György Ligeti, also represented by a piece here, as are short pieces from English composer-filmmaker Benedict Mason’s Animals and the Origins of Dance and longer works by such artists as Michael Gordon, electronic-music duo Autechre, and the 15th-century composer Josquin des Prez.

After the group performed several of these pieces in a Carnegie Hall program last year, the New York Times declared that “Alarm Will Sound shows an admirable commitment and a spirit of adventure.” New York magazine, in its Year in Culture survey, cited the concert as one of the Top Ten Classical Events of 2008.

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