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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Fri, 10 Feb 2012 20:00:30 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Chris Thompson</title><link>http://www.chrispthompson.com/news/</link><description></description><lastBuildDate>Thu, 02 Feb 2012 01:46:08 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>nation, I give you björk</title><dc:creator>Chris Thompson</dc:creator><pubDate>Thu, 02 Feb 2012 01:26:22 +0000</pubDate><link>http://www.chrispthompson.com/news/2012/2/1/nation-i-give-you-bjork.html</link><guid isPermaLink="false">536488:6155084:14834308</guid><description><![CDATA[<table style="font: normal normal normal 11px/normal arial; color: #333333; background-color: #f5f5f5; height: 340px;" cellspacing="0" cellpadding="0" width="512">
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</table>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-14834308.xml</wfw:commentRss></item><item><title>hugga dugga burr</title><dc:creator>Chris Thompson</dc:creator><pubDate>Sun, 01 Jan 2012 05:24:45 +0000</pubDate><link>http://www.chrispthompson.com/news/2012/1/1/hugga-dugga-burr.html</link><guid isPermaLink="false">536488:6155084:14396807</guid><description><![CDATA[<p>ROOKIE U CAN'T HIDE YER TICKS FROM CENTER SNARE GUY<br />CENTER SNARE GUY HEARS ALL YER TICKS</p>
<p><iframe width="450" height="259" src="http://www.youtube.com/embed/S1gf8FwUnLE" frameborder="0" allowfullscreen></iframe></p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-14396807.xml</wfw:commentRss></item><item><title>the way we name music (and dogs, and babies) now</title><dc:creator>Chris Thompson</dc:creator><pubDate>Wed, 16 Nov 2011 00:57:55 +0000</pubDate><link>http://www.chrispthompson.com/news/2011/11/15/the-way-we-name-music-and-dogs-and-babies-now.html</link><guid isPermaLink="false">536488:6155084:13740105</guid><description><![CDATA[<p>If you've ever wondered... "What's up with those weird Aphex Twin track titles," my post at the new Alarm Will Sound blog "alarmists" will probably do very little to answer that question!</p>
<p>But, as people are always saying when you work really hard at something only to sort of quasi-fail at it: "the journey is the reward." So here's the link:</p>
<p><strong><a title="read the post on &quot;alarmists&quot;" href="http://www.alarmwillsound.com/alarmists/?p=56" target="_blank">The Way We Name Music Now (OR: one percussionist's mission to uncover the true meaning of Aphex Twin Track titles).</a></strong></p>
<p>At the all new www.alarmwillsound.com</p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-13740105.xml</wfw:commentRss></item><item><title>like a big birthday party for grown-ups</title><dc:creator>Chris Thompson</dc:creator><pubDate>Thu, 06 Oct 2011 17:55:00 +0000</pubDate><link>http://www.chrispthompson.com/news/2011/10/6/like-a-big-birthday-party-for-grown-ups.html</link><guid isPermaLink="false">536488:6155084:13103889</guid><description><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 200px;" src="http://www.chrispthompson.com/storage/BitsBytes2.jpeg?__SQUARESPACE_CACHEVERSION=1317935807362" alt="" /></span></span>This post has an important soundtrack! If you have Spotify <strong><a href="http://open.spotify.com/user/cthomp31/playlist/3p77lYWszFPn4PPZuHtZhN" target="_blank">click here</a></strong>.</p>
<p>I've been listening to Huey Lewis &amp; the News non-stop since hearing that Steve Jobs passed away. More on that in a second.</p>
<p>I got the news the way I suspect many people around here did - on an exploding Twitter feed that was equally praising Steve Jobs as it was the Occupy Wall Street protests.&nbsp;Immediately I got to wondering: how can I reconcile the excitement and hope I feel about the rising anti-corporate protests with the desire to celebrate the life's work of one of the most powerful corporate figures of all time? It feels mutually exclusive, and as many are pointing out in <a href="http://www.nypost.com/p/news/local/manhattan/please_just_get_to_the_point_of_YZBpDBjuss8EkpuHqfc1iP" target="_blank">the most tediously obvious possible way</a>, isn't it hypocrisy if those people #occupywallstreet with their iPhones and Macbooks in tow?!</p>
<p>I actually totally don't know! And my point isn't to answer that question at all, but instead to crack out about my childhood while I wait for the&nbsp;<a href="http://www.theawl.com/2011/09/crack-brownies" target="_blank">crack brownies</a> to come out of the oven. This is the bottom line for me: my childhood is inextricably tied up in the history of this huge, powerful corporation Steve Jobs created, and I'm sure that's a good thing.</p>
<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 75px;" src="http://www.chrispthompson.com/storage/map-icon.png?__SQUARESPACE_CACHEVERSION=1317936323738" alt="" /></span></span>In 1983 my family moved to Cupertino, California just a few blocks from 20525 Mariani Ave., which would later expand out to the famous "1 Infinite Loop" world headquarters of Apple Computer (you might recognize it from your iPhone's "Maps" application). Having worked at Apple already for 2 years, my dad was employee #2567. I was 4! I lived in Cupertino until I went away to college 13 years later.</p>
<p><span class="full-image-float-right ssNonEditable"><span><img style="width: 110px;" src="http://www.chrispthompson.com/storage/Bow%20Tie.jpeg?__SQUARESPACE_CACHEVERSION=1317933757921" alt="" /></span></span>Millions of people have a relationship with the Apple Computer that emerged when Steve Jobs returned in the late 90s, and it's obviously been since then that the world has been most affected by Steve's products and ideas. But there's one simple innovation that Jobs and Apple made during that earlier era that had a huge effect on me as kid, and on my family as well; the idea that a corporation could have a casual, relaxed environment that creates a family and fosters creativity.&nbsp;</p>
<p>In a world where the Google-esque "playground" work environment is the norm for high-tech, it's hard to remember this wasn't always the case. Before Apple, the corporate office was often a place to be miserable and demoralized, not a place to be collaborative and creative.&nbsp;</p>
<p>My mom wrote to me today describing the feeling:</p>
<blockquote>
<p>Really devastated about the death of Steve Jobs. Just so sad to lose such an innovative brilliant mind and to think about what was yet to come. He had such an impact on our family, though indirect, in the opportunity Dad had to work there and really enjoy his job at Apple. It was the best place he ever worked. Like he used to say, "it was like Christmas everyday".</p>
</blockquote>
<p>Sometimes, if my dad had something to take care of on the weekend, he would take me to work with him. I got to hang out in one of the main gathering areas of the building, and I remember that it always seemed as though there had just been some kind of huge bash - half eaten cake, streamers, balloons, confetti. Casually dressed adults strolled from place to place looking grown-up in an impossibly cool way. Add to that the full-sized arcade games that didn't even need quarters and it was like heaven. And in my mind, when my dad went off to work in the morning, he was going to this giant birthday party to eat cake and open presents all day long.&nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 175px;" src="http://www.chrispthompson.com/storage/BitsBytes1.jpeg?__SQUARESPACE_CACHEVERSION=1317935848936" alt="" /></span></span>Then, for my 6th birthday, I got my first bike! Ok, ALSO I got two tickets to go with my dad to the Apple convention "Bits &amp; Bytes," where I wore a rad Jobs-ian red bow tie and stood on a box high enough to reach the keyboard of an Apple ][c so that I could demo "Print Shop" to conference attendees. I remember the point of this being to claim it was "so easy a child could do it" (which, as we know, is the opposite of the situation today), but I may have fabricated that whole thing in my mind after-the-fact. What is undeniable, though, is the amazing time I had with my dad, and how proud I was of him, and that it was the culture Jobs created that could make this happen.&nbsp;</p>
<p>There were lots more of these experiences, too - from <em>actual</em> birthday parties to a couple years later when what felt like everyone in the entire world descended on the Apple campus for the launch of the Newton.&nbsp;</p>
<p>The soundtrack of the time and place was Huey Lewis &amp; the News (which you are hopefully rocking out to at this very moment): earnest party music with a lovable geeky nostalgia. This music snuck into my subconscious, where it still lives today as one of the most immediate ways to recall the more idyllic childhood moments.</p>
<p><span class="full-image-block ssNonEditable"><span><img style="width: 400px;" src="http://www.chrispthompson.com/storage/BitsBytes4.jpeg?__SQUARESPACE_CACHEVERSION=1317935348495" alt="" /></span></span></p>
<p>As the company fell on it's tough post-Jobs/pre-Jobs era, my dad lost his job due to restructuring. Apple has still been the only computer I've ever used, and I spent much of my teenage years fighting the mac/pc flame wars that were a staple of the years where Apple was a complete mess. Dad defected for a bit (ahem) but has since returned, along with what seems like the whole rest of the world. Today he sent me this:</p>
<blockquote>
<p>I'm not sure very many former Apple employees still have their badges. It was standard procedure, strictly enforced for the manager or HR rep to collect them when employees terminated. I know because I collected quite a few from my employees in my time, and they didn't want to give them up. I don't remember how I managed to dodge that requirement myself, but I do know that I desperately wanted to keep my badge. For one thing, the picture shows me at the happiest moment of my professional life--my first day at Apple.</p>
</blockquote>
<p><span class="full-image-inline ssNonEditable"><span>&nbsp;&nbsp;<img style="width: 400px;" src="http://www.chrispthompson.com/storage/Badge.jpg?__SQUARESPACE_CACHEVERSION=1317934447257" alt="" />&nbsp; &nbsp;</span></span></p>
<p>&nbsp;</p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-13103889.xml</wfw:commentRss></item><item><title>Famicom</title><dc:creator>Chris Thompson</dc:creator><pubDate>Wed, 01 Jun 2011 13:11:21 +0000</pubDate><link>http://www.chrispthompson.com/news/2011/6/1/famicom.html</link><guid isPermaLink="false">536488:6155084:11644279</guid><description><![CDATA[<p><iframe width="500" height="314" src="http://www.youtube.com/embed/aEOI4qUjqRw" frameborder="0" allowfullscreen></iframe></p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-11644279.xml</wfw:commentRss></item><item><title>Sink that Titanic</title><dc:creator>Chris Thompson</dc:creator><pubDate>Wed, 13 Apr 2011 16:52:25 +0000</pubDate><link>http://www.chrispthompson.com/news/2011/4/13/sink-that-titanic.html</link><guid isPermaLink="false">536488:6155084:11141471</guid><description><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 175px;" src="http://www.chrispthompson.com/storage/leohi.jpg?__SQUARESPACE_CACHEVERSION=1302714015767" alt="" /></span></span>Very excited to announce that tomorrow night's performance of <strong>Gavin Bryars </strong><em><strong>The Sinking of the Titanic</strong></em><strong>&nbsp;</strong>in the Guggenheim rotunda will be broadcast live on Q2, and then archived for later listening. This performance by the Wordless Music Orchestra also secretly features Line C3 (Sam, John, Haruka, and me) playing percussion.</p>
<p>There is not one bit of Leonardo DiCaprio, I promise!</p>
<p>To listen to the performance live, go <a href="http://www.wqxr.org/articles/q2-live-concerts/2011/apr/14/live-guggenheim-sinking-titanic/"><strong>HERE.</strong></a></p>
<p>To get tickets and attend ("boarding" ends at 8:40 and 10:40 pm), go <strong><a href="http://www.guggenheim.org/new-york/education/adult-and-academic-programs/public-programs?option=com_calendar&amp;task=showevent&amp;mt=1302757200&amp;mh=+%40+8%3A40%26nbsp%3Bpm+%26+10%3A40%26nbsp%3Bpm&amp;aid=3895">HERE.</a></strong></p>
<p><strong>T.1912<br /></strong>Thursday, April 14 @ 8:40&nbsp;pm &amp; 10:40&nbsp;pm</p>
<p>The sinking of the Titanic on April 14, 1912, has continued to move and fascinate for generations. Artist Dominique Gonzalez-Foerster creates a site-specific staged audience experience in the museum&rsquo;s rotunda, inspired by this historic event and wherein the audience plays a role. Gavin Bryars's <em>The Sinking of the Titanic</em> will be at the core of the installation, performed by The Wordless Music Orchestra. "Boarding" closes at 8:40 pm and 10:40 pm.</p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-11141471.xml</wfw:commentRss></item><item><title>Line C3 Shows Announced!</title><dc:creator>Chris Thompson</dc:creator><pubDate>Sat, 26 Feb 2011 16:07:19 +0000</pubDate><link>http://www.chrispthompson.com/news/2011/2/26/line-c3-shows-announced.html</link><guid isPermaLink="false">536488:6155084:10611963</guid><description><![CDATA[<p><span class="full-image-float-left ssNonEditable"><img src="http://www.chrispthompson.com/storage/Monkey50.jpg?__SQUARESPACE_CACHEVERSION=1298736660029" alt="" /></span>Join Line C3 Percussion Group for exciting shows this spring:</p>
<p><strong>World Premier of Judd Greenstein's&nbsp;<em>Shlomo</em></strong><br />Thursday, March 3rd, 2011 at 7:30 PM<br />Ecstatic Music Festival<br />Merkin Hall, NYC (<a href="http://kaufman-center.org/merkin-concert-hall/event/ecstatic-music-festival-judd-greenstein-the-yehudim-olga-bell-bell/" target="_blank">Tickets and More Info</a>)</p>
<p><strong>World Premier of Sean Friar's&nbsp;<em>Clunker Concerto</em></strong><br />Friday, March 4th, 2011 at 7:30 PM<br />American Composers Orchestra, Playing it UNSafe<br />Zankel Hall, NYC (<a href="http://www.americancomposers.org/unsafe/" target="_blank">Tickets and More Info</a>)&nbsp;</p>
<p><strong>超すごい : Music of Japan by NY and Tokyo Composers</strong><br />Saturday, April 2nd, 2011 at 8 PM<br />World Premiers by Miura, Thompson<br />Works by Kitazume, Naito, Takemitsu, Muhly<br />Laguardia Performing Arts Center, Long Island City (<a href="http://www.carnegiehall.org/article/box_office/events/evt_16183.html" target="_blank">Tickets and More Info</a>)</p>
<p><strong>Gavin Bryars'&nbsp;<em>Sinking the Titanic</em><br /><span style="font-weight: normal;">Thursday, April 14th, 2011<br />2 Departures: Boarding Closes at 8:40 and 10:40 PM&nbsp;<br />Line C3 and Wordless Music Orchestra</span><br /></strong>The Guggenheim, NYC (<a title="Guggenheim Site" href="http://www.guggenheim.org/new-york/calendar-and-events?option=com_calendar&amp;task=showevent&amp;mt=1302757200&amp;mh=+%40+8%3A40%26nbsp%3Bpm&amp;aid=3895" target="_blank">Tickets and More Info</a>)</p>
<p><strong>And stay tuned this summer for Serving Size 4 Bunnies with Live puppetry at La Mama!</strong></p>
<p>ALSO:</p>
<p>Now you can visit the&nbsp;<strong><span style="font-size: 130%;">ALL NEW&nbsp;</span><a style="font-size: 130%;" href="http://www.linec3.com/"><span style="font-size: 130%;">WWW.LINEC3.COM</span></a><span style="font-size: 130%;">&nbsp;</span></strong>featuring more super fun time with percussion! You know you love it.</p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-10611963.xml</wfw:commentRss></item><item><title>sometimes the stick bag gets all the press</title><category>ACME</category><category>Alarm Will Sound</category><category>Jefferson Friedman</category><category>Judd Greenstein</category><category>New Music, Concerts</category><category>Shows</category><dc:creator>Chris Thompson</dc:creator><pubDate>Thu, 09 Dec 2010 17:54:42 +0000</pubDate><link>http://www.chrispthompson.com/news/2010/12/9/sometimes-the-stick-bag-gets-all-the-press.html</link><guid isPermaLink="false">536488:6155084:9686089</guid><description><![CDATA[<p>Here we have a little preview of the <strong><a href="http://kaufman-center.org/merkin-concert-hall/ecstatic">Ecstatic Music Festival</a></strong>, which is going to be exciting and groundbreaking and fun and everyone should come! I'm looking forward to playing concerts with Alarm Will Sound and ACME in January and then Judd Greenstein in March, as well as attending concerts by a spectacular variety of others. Also, although I'm not in this little video, my stick bag TOTALLY IS:</p>
<p><iframe src="http://player.vimeo.com/video/17532901" width="400" height="225" frameborder="0"></iframe></p>
<p>Yes, I like all those Stevens marimba mallets. What.</p>
<p><strong><a href="http://kaufman-center.org/merkin-concert-hall/event/ecstatic-music-festival-craig-wedren-jefferson-friedman-acme/">Saturday, 1/22/11:</a></strong> Craig Wedren, Jefferson Friedman, and ACME.</p>
<p><strong><a href="http://kaufman-center.org/merkin-concert-hall/event/ecstatic-music-alarm-will-sound-face-the-music/">Sunday, 1/30/11:</a></strong> Alarm Will Sound and Face the Music.&nbsp;</p>
<p><strong><a href="http://kaufman-center.org/merkin-concert-hall/event/ecstatic-music-festival-judd-greenstein-the-yehudim-olga-bell-bell/">Thursday, 3/30/11:</a></strong> Judd Greenstein (The Yehudim) &amp; Olga Bell.</p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-9686089.xml</wfw:commentRss></item><item><title>hubcap preview</title><category>Line C3</category><category>New Music, Concerts</category><category>Shows</category><dc:creator>Chris Thompson</dc:creator><pubDate>Thu, 09 Dec 2010 06:32:27 +0000</pubDate><link>http://www.chrispthompson.com/news/2010/12/9/hubcap-preview.html</link><guid isPermaLink="false">536488:6155084:9682763</guid><description><![CDATA[<p>Composer Sean Friar on his "Clunker Concerto" for Line C3 Percussion Group and the American Composers Orchestra: to be premiered <strong><a href="http://www.americancomposers.org/rel2010_11.html#program3">March 4, 2011 at Zankel Hall.</a></strong></p>
<p><object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/tzVohkFO9II?fs=1&amp;hl=en_US&amp;rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/tzVohkFO9II?fs=1&amp;hl=en_US&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object></p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-9682763.xml</wfw:commentRss></item><item><title>The Way We Bow a Vibraphone Now</title><category>Jónsi</category><category>Shows</category><category>Whirly-Tubes</category><category>Wordless Music</category><dc:creator>Chris Thompson</dc:creator><pubDate>Tue, 23 Nov 2010 19:22:34 +0000</pubDate><link>http://www.chrispthompson.com/news/2010/11/23/the-way-we-bow-a-vibraphone-now.html</link><guid isPermaLink="false">536488:6155084:9552929</guid><description><![CDATA[<p><strong><strong>Selections from&nbsp;</strong><em><strong>Riceboy Sleeps <span style="font-style: normal;">by&nbsp;</span></strong><strong><span style="font-style: normal;">J&oacute;nsi &amp; Alex.<br /></span></strong></em><span style="font-weight: normal;">Performed by J&oacute;nsi &amp; Alex, Latvian National Choir and the Wordless Music Orchestra led by Jeffrey Milarsky. Live from the Church of St. Paul the Apostle, NYC.</span><br /><embed src="http://www.wqxr.org/media/audioplayer/blue_progress_player_no_pop.swf" width="400" height="29" wmode="transparent" allowscriptaccess="always" quality="high" flashvars="file=http://audio.wnyc.org/qlive/qlive111510rice.mp3&repeat=list&autostart=false&popurl=http%3A//audio.wnyc.org/qlive/qlive111510rice.mp3%3Ftitle%3DWhite%20Light%20Festival%27s%20Credo%3A%20Riceboy%20Sleeps"></embed><script type="text/javascript">(function(){var s=function(){__flash__removeCallback=function(i,n){if(i)i[n]=null;};window.setTimeout(s,10);};s();})();</script></strong><br />(<em>Sleeping Giant</em>,&nbsp;<em>Happiness</em>,&nbsp;<em>Indian Summer</em>,&nbsp;<em>Dan&iacute;ell in the Sea</em>,&nbsp;<em>Atlas Song</em>&nbsp;and&nbsp;<em>Boy 1904</em>)</p>
<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 200px;" src="http://www.chrispthompson.com/storage/jonsi.JPG?__SQUARESPACE_CACHEVERSION=1290542291942" alt="" /></span><span class="thumbnail-caption" style="width: 200px;">J&oacute;nsi</span></span>The entire "Credo" concert from Lincoln Center's White Lights Festival is now streaming on Q2 <a href="http://www.wqxr.org/articles/q2-live-concerts/2010/nov/22/credo-credo/">here</a>.</p>
<p>I'd be lying if I said I wasn't super excited to realize an excellent orchestrational use of whirly-tubes (7:55). Also, props to Q2 (and Nadia Sirota, and John Schaefer) for a great live broadcast and attendant web-chat that hosted comments from thousands of listeners all over the world (including one from my dad: "listening from Sedona, Arizona, where the vortexes are crying uncle").</p>
<p>When cynicism starts to creep in about music-making, these are the type of events that wipe it away. More please!</p>]]></description><wfw:commentRss>http://www.chrispthompson.com/news/rss-comments-entry-9552929.xml</wfw:commentRss></item></channel></rss>
