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ROOKIE U CAN'T HIDE YER TICKS FROM CENTER SNARE GUY
CENTER SNARE GUY HEARS ALL YER TICKS
1Jan12 |
Post a Comment | Jan 31, 2012
World Financial Center
WNYC New Sounds Live
Wordless Music Orchestra
Johann Johannsson: "The Miners' Hymns"
Jan 26, 2012
Radio City Music Hall
MoMA presents:
Antony & The Johnsons: Swanlights
Nov 11 - Jan 4
Radio City Music Hall
The Radio City Christmas Spectacular!
October 21, 2011
Roulette, Brooklyn
SONiC Festival
Alarm Will Sound
Music of Gryka, Freund, Little, Muhly, Marks, Aphex Twin
October 7, 2011
University of South Carolina
Southern Exposure Series
ACME: Music of Druckman, Burhans, J.L. Adams
September 25, 2011
Alice Tully Hall
World Civic Orchestra
September 14, 2011
Balzano, Italy
TransArt Festival
Alarm Will Sound
Music of Adams, Lang, Aphex Twin
September 13, 2011
Krakow, Poland
Sacrum Profanum Festival
Alarm Will Sound
Music of David Lang
September 12, 2011
Krakow, Poland
Sacrum Profanum Festival
Alarm Will Sound
Music of John Adams and Alexsandra Gryka
September 6, 2011
St. Peter's Church, NYC
Haruka Fujii, Gudula Rosa, w/guests Eric Huebner and Chris Thompson
Koku: Music for Percussion and Recorder
August 25 & 28, 2011
JCC Manhattan, W. 76th St.
Opera Project NY Presents
Tchaikovsky's Eugene Onegin
July 22: 8 PM
July 23: 3 PM & 8PM
July 24: 3 PM
La Mama, NYC
GLANK Live
July 11-16, 2011
University of Missouri
Mizzou New Music Festival
June 10-19, 2011
Bartlesville, Oklahoma
OK Mozart Festival
May 14, 2011
St. George's Church, NYC
Dessoff Choirs
May 10, 2011
(le) Poisson Rouge, NYC
ACME at MATA Festival
April 23, 2011
Newman Center, Denver CO
Alarm Will Sound: "1969"
April 11, 2011
Le Poisson Rouge, NYC
Alarm Will Sound
Meet the Composer
World Premier by Ken Ueno
April 7, 8, 9, 2011
The Kitchen, NYC
21c Liederabend Festival
April 2, 2011
Laguardia Performing Arts Center
Carnegie Hall Presents Neighborhood Concert: Line C3 Percussion Group
Part of JapanNYC Festival
March 21, 2011
Philharmonie Hall, Berlin
MaerzMusic Festival
Alarm Will Sound
March 10, 2011
Zankel Hall, NYC
Alarm Will Sound: "1969"
March 4, 2011
Zankel Hall, NYC
Line C3 with American Composers Orchestra
World Premier: Sean Friar's "Clunker Concerto"
March 3, 2011, 7:30 PM
Merkin Hall, NYC
Ecstatic Music Festival: Judd Greenstein (The Yehudim) and Olga Bell
February 10-12, 2011
St. Ann's Warehouse
Brooklyn, NY
"Tell the Way"
Brooklyn Youth Chorus
Music of Nico Muhly
January 30, 2011 2 PM
Merkin Hall, NYC
Ecstatic Music Festival: Alarm Will Sound and Face the Music
Steve Reich, "Tehillim"
January 22, 2011 7:30 PM
Merkin Hall, NYC
Ecstatic Music Festival: Jefferson Friedman, Craig Wedren, ACME
Steve Reich, "Tehillim"
December 4, 8 PM
St. Ignatious of Antioch
December 5, 3:30 PM
St. Joseph's Church in the Village
Russian Chamber Chorus
November 15, 7:30 PM
St. Paul the Apostle, NYC
Lincoln Center White Light Festival: Credo
The Hilliard Ensemble
Latvian National Choir
Members of Sigur Ros
Wordless Music Orchestra
November 5, 2010
Miller Theater, NYC
ACME at New York Choreographic Institute
World premiers by Fuerst, Ciupinski, and Blaha.
October 30, 2010
Mondavi Center, UC Davis
Alarm Will Sound at "Madness and Music Festival"
Music of Aphex Twin, Kurtag, Sciarrino, Hyla, Birtwistle, Orfe
October 11, 2010
Forbes Center, JMU
October 9, 2010
Carlisle Theater, PA
Alarm Will Sound: "1969"
September 25, 2010
Carlsbad, California
ACME at Carlsbad Music Festival
September 4, 2010
Bremen, Germany
Alarm Will Sound at Bremen Musikfest
July 18 - August 8, 2010
Burlington, VT
Vermont Mozart Festival
July 12 - 19, 2010
University of Missouri
Mizzou New Music Festival
June 25, 8 PM
Barbican, London
Dirty Projectors "Getty Address" with Alarm Will Sound
June 24, 7:30 PM
Wilton's Music Hall, London
Alarm Will Sound at the Barbican Festival
May 27, 8 PM
Galapagos Art Space
21c Aria Salon Series
May 21, 8 PM
Galapagos Art Space
Archipelago: ACME and ICE with Craig Wedren, Corey Dargel, Kathleen Supové
May 17, 7:30 PM
Trinity Wall Street
Caleb Burhans’ “Super Flumina Babylonis” with Trinity Choir
March 18th and 19th, 8 PM
The Kitchen, 512 W. 19th St.
Doveman and Peter Pears: Music of Nico Muhly and Thomas Bartlett
March 14th, 6:30 PM
Le Poisson Rouge, 158 Bleecker St. NYC
ACME: Music of John Luther Adams and Kevin Volans
ROOKIE U CAN'T HIDE YER TICKS FROM CENTER SNARE GUY
CENTER SNARE GUY HEARS ALL YER TICKS
If you've ever wondered... "What's up with those weird Aphex Twin track titles," my post at the new Alarm Will Sound blog "alarmists" will probably do very little to answer that question!
But, as people are always saying when you work really hard at something only to sort of quasi-fail at it: "the journey is the reward." So here's the link:
At the all new www.alarmwillsound.com
This post has an important soundtrack! If you have Spotify click here.
I've been listening to Huey Lewis & the News non-stop since hearing that Steve Jobs passed away. More on that in a second.
I got the news the way I suspect many people around here did - on an exploding Twitter feed that was equally praising Steve Jobs as it was the Occupy Wall Street protests. Immediately I got to wondering: how can I reconcile the excitement and hope I feel about the rising anti-corporate protests with the desire to celebrate the life's work of one of the most powerful corporate figures of all time? It feels mutually exclusive, and as many are pointing out in the most tediously obvious possible way, isn't it hypocrisy if those people #occupywallstreet with their iPhones and Macbooks in tow?!
I actually totally don't know! And my point isn't to answer that question at all, but instead to crack out about my childhood while I wait for the crack brownies to come out of the oven. This is the bottom line for me: my childhood is inextricably tied up in the history of this huge, powerful corporation Steve Jobs created, and I'm sure that's a good thing.
In 1983 my family moved to Cupertino, California just a few blocks from 20525 Mariani Ave., which would later expand out to the famous "1 Infinite Loop" world headquarters of Apple Computer (you might recognize it from your iPhone's "Maps" application). Having worked at Apple already for 2 years, my dad was employee #2567. I was 4! I lived in Cupertino until I went away to college 13 years later.
Millions of people have a relationship with the Apple Computer that emerged when Steve Jobs returned in the late 90s, and it's obviously been since then that the world has been most affected by Steve's products and ideas. But there's one simple innovation that Jobs and Apple made during that earlier era that had a huge effect on me as kid, and on my family as well; the idea that a corporation could have a casual, relaxed environment that creates a family and fosters creativity.
In a world where the Google-esque "playground" work environment is the norm for high-tech, it's hard to remember this wasn't always the case. Before Apple, the corporate office was often a place to be miserable and demoralized, not a place to be collaborative and creative.
My mom wrote to me today describing the feeling:
Really devastated about the death of Steve Jobs. Just so sad to lose such an innovative brilliant mind and to think about what was yet to come. He had such an impact on our family, though indirect, in the opportunity Dad had to work there and really enjoy his job at Apple. It was the best place he ever worked. Like he used to say, "it was like Christmas everyday".
Sometimes, if my dad had something to take care of on the weekend, he would take me to work with him. I got to hang out in one of the main gathering areas of the building, and I remember that it always seemed as though there had just been some kind of huge bash - half eaten cake, streamers, balloons, confetti. Casually dressed adults strolled from place to place looking grown-up in an impossibly cool way. Add to that the full-sized arcade games that didn't even need quarters and it was like heaven. And in my mind, when my dad went off to work in the morning, he was going to this giant birthday party to eat cake and open presents all day long.
Then, for my 6th birthday, I got my first bike! Ok, ALSO I got two tickets to go with my dad to the Apple convention "Bits & Bytes," where I wore a rad Jobs-ian red bow tie and stood on a box high enough to reach the keyboard of an Apple ][c so that I could demo "Print Shop" to conference attendees. I remember the point of this being to claim it was "so easy a child could do it" (which, as we know, is the opposite of the situation today), but I may have fabricated that whole thing in my mind after-the-fact. What is undeniable, though, is the amazing time I had with my dad, and how proud I was of him, and that it was the culture Jobs created that could make this happen.
There were lots more of these experiences, too - from actual birthday parties to a couple years later when what felt like everyone in the entire world descended on the Apple campus for the launch of the Newton.
The soundtrack of the time and place was Huey Lewis & the News (which you are hopefully rocking out to at this very moment): earnest party music with a lovable geeky nostalgia. This music snuck into my subconscious, where it still lives today as one of the most immediate ways to recall the more idyllic childhood moments.

As the company fell on it's tough post-Jobs/pre-Jobs era, my dad lost his job due to restructuring. Apple has still been the only computer I've ever used, and I spent much of my teenage years fighting the mac/pc flame wars that were a staple of the years where Apple was a complete mess. Dad defected for a bit (ahem) but has since returned, along with what seems like the whole rest of the world. Today he sent me this:
I'm not sure very many former Apple employees still have their badges. It was standard procedure, strictly enforced for the manager or HR rep to collect them when employees terminated. I know because I collected quite a few from my employees in my time, and they didn't want to give them up. I don't remember how I managed to dodge that requirement myself, but I do know that I desperately wanted to keep my badge. For one thing, the picture shows me at the happiest moment of my professional life--my first day at Apple.
Very excited to announce that tomorrow night's performance of Gavin Bryars The Sinking of the Titanic in the Guggenheim rotunda will be broadcast live on Q2, and then archived for later listening. This performance by the Wordless Music Orchestra also secretly features Line C3 (Sam, John, Haruka, and me) playing percussion.
There is not one bit of Leonardo DiCaprio, I promise!
To listen to the performance live, go HERE.
To get tickets and attend ("boarding" ends at 8:40 and 10:40 pm), go HERE.
T.1912
Thursday, April 14 @ 8:40 pm & 10:40 pm
The sinking of the Titanic on April 14, 1912, has continued to move and fascinate for generations. Artist Dominique Gonzalez-Foerster creates a site-specific staged audience experience in the museum’s rotunda, inspired by this historic event and wherein the audience plays a role. Gavin Bryars's The Sinking of the Titanic will be at the core of the installation, performed by The Wordless Music Orchestra. "Boarding" closes at 8:40 pm and 10:40 pm.